Postal Address: PO Box 73, Fremantle WA 6959
Phone: (08) 9430 5208
Fax:Site by Clever Starfish
The Fly by Night Musicians Club is a not for profit community musicians club and music venue located in the heart of Fremantle, Western Australia.about
$59.50 inc B.F.
Note; This event is at
The Charles Hotel
After 55 years of live performing, The Pretty Things – the iconic, 1st wave R&B / psychedelic cult heroes, formed by Ex-Rolling Stone Dick Taylor and singer Phil May – will retire from electric performances at the end of this year when they play one final show in London on December 18 with special friends including Van Morrison and Pink Floyd’s Dave Gilmour.
Unbelievably, Australia hasnt lucked out and will be witness to some of the band’s final performances. And it may have taken them half a century, but The Pretty Things will be performing for the first time ever to Brisbane, Adelaide, Geelong and Perth audiences.
Of course, Sydney gets a show (supported by Pretty Things fans Tumbleweed), and there’s three Melbourne shows including a one-off performance of their landmark Abbey Rd. psych classic, S. F. Sorrow.
It cannot be overstated the enormity of the impact The Pretty Things had on the UK music scene when they burst upon it with the dirty garage 1, 2 punch of Rosalyn and Don’t Bring Me Down. Prettier than the Stones and grittier than The Who, the band racked up a huge history of musical and cultural “firsts” – the “longest hair in the world”, first ever rock and roll drugs bust, most arrests of any band, first ever rock-opera, arrested for discharging a sawn-off shotgun, first U.K. band to win Rolling Stone Record of the Year – The Pretty Things are an indelible part of the fabric of popular music and the social influence that it has created.
With such outstanding classics as L.S.D., Midnight to Six Man and one of the wildest psychedelic singles ever released in Defecting Grey, The Pretty Things proved a huge influence on artists as diverse as David Bowie (who as a teen followed the band around religiously and later covered two of the band’s singles), The Ramones, The Sex Pistols, Radio Birdman, Aerosmith, The White Stripes, The Saints, Iggy Pop, Kasabian, Hoodoo Gurus, and many, many more – all of whom site their outrageous behaviour, incandescent stage performances and astonishing catalogue of remarkable, ground-breaking recordings as fundamental in the creation of their own work. The influence of the band’s pioneering psychedelic work can be clearly heard in the work of contemporary groups like King Gizzard & The Lizard Wizard and Thee Oh Sees.
It should be compulsory for anyone with the slightest interest in popular music and the youth and social revolution of the 1960’s to see The Pretty Things before they hang up their guns at the end of this year.
The Pretty Things are waving goodbye. Be there to wave back…….
Some other things we could mention about The Pretty Things:
Dick Taylor left The Rolling Stones to form the band with Phil May.
S.F. Sorrow was recorded at Abbey Rd. at the same time as Sgt Pepper’s and Pink Floyd’s Piper At The Gates Of Dawn with production by Norman Smith.
The band’s 1970 Parachute album was awarded Rolling Stone Magazine’s first ever Album of the Year.
The Pretty Things were the first signing to Led Zeppelin’s label Swan Song and their Silk Torpedo album predates Zep’s first release on their own label, Physical Graffiti.
The Pretty Things were the first ever band to take their original labels to court and win back their recording rights.
The band were banned from New Zealand after setting fire to a bag containing a rotting crayfish, onboard a flight (as you do).
Original bass guitarist John Stax managed to escape with his sanity intact by running off to live in… Australia.
David Bowie studied Phil May’s stagecraft assiduously and declared Phil to be god.
The band was offered Mr Tamborine Man before The Byrds got hold of it – they told their manager “NO!”.
Appeared at the infamous Alexander Palace Technicolour Dream event.
Dave Gilmour sites Parachute as an influence on Dark Side Of The Moon.
In 2009 The Pretty Things won the first ever Mojo “Hero” award.
“The Pretty Things always made The Stones look tame.” Dave Gilmour
“One of the greatest R&B bands of all time – real wild.” Van Morrison
“The Pretty Things’ were the biggest influence on us…they invented garage bands.” Joey Ramone
“The Beatles” were cute, “The Stones” were students, but “The Pretty Things” were plain frightening.” John Peel
Perth – Sunday Oct 14 – The Charles Hotel
The band Rockin’ Hendy and the Roaring Mongrels was formed in late 1999. The line-up consists of James Baker on Drums, Lou Mavrantonis on Bass and Lead Vocals and Rik van derVelde on Guitar and Vocals. The Band has continued writing their own songs, recording and performing since their first gigs in early 2000. Their music is a blend of New York Punk with Australian Punk from the late 70s to early 80s. The foundation of Rockin’ Hendy is the basic four on the floor pumping rhythm of their songs. Driven by non-other than the legendary tribal elder of punk rock music in Western Australia James Baker. James has an impressive history that includes being a founding member of some of Australia’s most unique and ground breaking bands including the Victims, the Scientists, the Hoodoo Gurus, the Beasts of Bourbon and the Dubrovniks. Like giant bookends both Lou and Rik stand either side of James pumping out their style of punk that still remains valid in 2018. Worth a look and definitely worth a listen….
Hailing from Fremantle in Western Australia, DATURA4 is the brainchild of Dom Mariani (frontman of legendary Australian garage rockers The Stems and Power Pop favourites DM3) and Greg Hitchcock (former You Am I and one-time New Christs’ guitarist). In 2011 they joined forces combining a shared passion for full-tilt boogie, psychedelic rock and progressive blues.
Along with drummer Warren Hall who previously played with The Drones and bass player Stu Loasby DATURA4 have been steadily building a reputation in their hometown with their live performances. With a healthy nod to Early ’70’s Australian Psych/Blues/Boogie from the likes of Buffalo, Coloured Balls, The Aztecs and latter era Masters Apprentices, “Demon Blues” represents Mariani & Hitchcock’s love of hard hitting bell-bottom blues.